No Limits by Alexandre Arrechea
4 Gateway Center (Gateway Center/Convention Center)
No Limits is a series of 10 sculptures where Alexandre Arrechea takes the basic shape of a New York City building and reshapes it into a
The first one is titled: Metropolitan Life Insurance. The elongated version of the Met Life Building is coiled on a stand. You can find this one outside of 4 Gateway Center on the corner of Liberty Ave and Stanwix St. L/L: 40.441152,–80.004276
The NYC Dept of Parks and Recreation newsletter The Daily Plant, had this to say about the artwork when it was in NYC:
The art is meant to create a dialogue with the public that raises questions of control, power, surveillance and one’s role within these categories. Through iconic architectural buildings and urban spaces, Arrechea plays and entices the viewer to explore this concept.
Behind 4 Gateway Center along Liberty Ave is Gateway Center Park. This is where Courthouse is located. L/L: 40.441005,–80.005501
It looks as though the building will rock on the pivot and has a weighted base to stabilize it again, but nothing indicates that these are meant to be interactive pieces so we didn’t try it. Perhaps it’s just meant to represent the ability to right oneself in times of turbulence. On the placards that accompany these sculptures is the following information:
In each of the four sculptures located in Downtown Pittsburgh, Arrechea reshapes the concept of verticality and monumentality into a new reality: elastic architecture, or city. Sculptures maintain the facade and recognizable features of the iconic buildings, but also adopt new forms – an elasticity that is foreign to the structure. This concept serves as a metaphor to the challenges of adapting to new realities we face every day as individuals and society. The buildings are transformed into a tool, or snail–like shapes as if one could reel these rigid structures in like a hose – expanding and contracting with the rise and fall of the economy and the sociocultural and sociopolitical shifts that occur with economic changes.
The third sculpture of this series is over at the David L. Lawrence Convention Center. It’s positioned at 10th St at the top of the walkway that leads down to the river. L/L: 40.444914,–79.995844 Reminiscent of film on an old movie reel, this one is titled Seagram.
The fourth sculpture was reported to be at 2 Gateway Center
In the meantime, here’s a link to the missing sculpture on the artist’s website.
The Flatiron Building, a National Historic Landmark, was originally the Fuller Building, completed in 1902.
TAGS ghost, No Limits, Downtown, Metropolitan Life Insurance building, Courhouse, Seagram building, Flatiron building, new reality, architecture and urban space, adapting, abstract, architectural roles, Alexandre Arrechea, ,
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